These Impossible Things

These Impossible Things by Salma El-Wardany

Reviewed by Linda
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Thank you @trapeze_books for this copy!

These Impossible Things is about 3 British-Muslim 1st gen women, who are branded as the closest of friends until they're not. Malak, Jenna and Kees are all at a crossroads in their lives, be it at work, home, or in their romantic relationships but the common denominator is that they’re all struggling with their faith, and consciences as they date non-Muslim men. One night they have an “earth-shattering” argument and stop speaking for 2 years. I personally didn't buy into how tight these girls were meant to be with one another and there are better books describing sisterhood.

There are a few glimmers of brilliance when the author describes the burden of cultural acceptance and the pressure on 1st gens to always do the right thing. This is especially true of Kees’ character.

But this book fell short in many ways. Several lines were distasteful and borderline offensive and this is another example of a book not being written for the people it is written about. People have different relationships with God, but how the author claims that this book aims to promote positive Muslim rep is beyond me.

We are introduced to the question of whether "Eid Sex" is a thing, shagging your non-Muslim boyfriend, then waking up for prayer is commonplace, also drinking into oblivion whilst wearing hijab.
The portrayal of Islam is viewed as burdensome and negative, so why is this book published under the guise of anything to do with Islam at all? Why does a religious crisis always have a man at its centre?

A HUGE red flag was how the men were depicted. Except for the fathers, every non-Muslim man is an angel, whilst the Muslim men are abusive, controlling, and arrogant. I'm not saying these guys don't exist, but the author seems hell-bent on propagating the white saviour complex.

Is the only way for WOC to be published, to write a contentious story that appeases the white audience? I think that in the interest of being marketable, some take it too far - this book being a prime example.

Linda Malek

I've always had the urge to set up a forum and voice my thoughts after each read, but never had the confidence to do so alone. 18 months ago, I got my fellow book-loving friends involved and formed The Candid Book Club! Aside from having an exponentially growing to-read pile and deteriorating shortsightedness, we've been lucky to have been invited to publisher events and have attended several talks with our favourite authors (Thank you and long may they continue!) To take a break from the pressures of PhD Chemistry, Jess and I exchanged books all the time and in my youth, I was that kid with the first editions of Harry Potter having already read Gulliver’s travels and some Charles Dickens. At work, my desk is a library and luckily for me I sit next to another bookworm Jack who entertains all the photo-taking. I'm suffering from a chronic case of wanderlust (age-related crisis) so books which are set as far away from home as possible tend to float my boat: Middle East, Israeli-Palestinian conflict, Asia...you name it. But if it's got anything to do with Egypt then I'm all over it. So you get the drift...I read all the time, everywhere (on the tube mostly), everyday, a book a week, and very quickly I'm onto the next! And then sometimes there is a book that stops me in my tracks, makes me want to swallow the pages whole, and have it next to me at all times, with some sentences staying with me forever: Shantaram by David Gregory Roberts, anything by Khaled Hosseini, The Shadow of the Wind by Carlos Ruiz Zafon, Stay With Me by Ayobami Adebayo (absolute gem of a woman), A Little Life by Hanya Yanagihara, A Fine Balance by Rohinton Mistry, The Good Immigrant edited by Nikesh Shuklaand and anything by Naguib Mahfouz.

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